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Jean-Michel Frank, “Pagoda” Side Table, Circa 1928
Jean-Michel Frank, “Pagoda” Side Table, Circa 1928
Jean-Michel Frank, “Pagoda” Side Table, Circa 1928
Jean-Michel Frank, “Pagoda” Side Table, Circa 1928

Jean-Michel Frank French, 1895-1941

“Pagoda” Side Table, Circa 1928
Solid oak entirely covered in its original ivory colored shagreen
Height: 17.7 in.
Length: 16.5 in.
Depth: 16.5 in.

Further images

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The 'Pagoda' side table, also known as 'Queue d’Oiseau' (bird’s tail) is one of Jean-Michel Frank’s most iconic models. Reinterpreted in many variations, from simple oak to parchment, even to...
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The "Pagoda" side table, also known as "Queue d’Oiseau" (bird’s tail) is one of Jean-Michel Frank’s most iconic models. Reinterpreted in many variations, from simple oak to parchment, even to mica (for the famous jazz musician Cole Porter), the rarest material is notably the shagreen variant. There are only two shagreen tables to have been recognized today: Ours, from the collection of Yves Saint-Laurent, and another in Jacques Grange’s collection.

Initially, one table was made for the notorious American philanthropist and French Art Deco collector, Templeton Crocker, and placed in his glitzy San Francisco penthouse. The second table Frank made can be seen in a photograph taken in 1935, from the inauguration of Frank’s boutique on rue Saint Honoré in Paris (Giacometti Foundation Archives). 

In the 1970’s, pioneering Art Deco connoisseur Yves Saint-Laurent began to complement his impressive art collection with some of the most important and beautiful 1920’s and 1930’s furniture pieces. Famous today, designers such as Eileen Gray, Jean Dunand, Gustave Miklos, and Eugene Printz were at the time only known to a few people, among them Andy Warhol, Mr. Chow and Karl Lagerfeld. Yves Saint-Laurent and the Lalanne husband-and-wife team were at the heart of this group of early collectors, where pieces by Jean-Michel Frank were some of the most prized. Opulent yet understated, our shagreen table from Yves Saint-Laurent’s infamous rue Babylon apartment is a perfect example of this aesthetic.

 

This piece is accompanied by Jean-Michel Frank Committee certificate.

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Provenance

Private collection, France; purchased directly from the artist 

Yves Saint-Laurent collection, rue Babylon, Paris

Private collection

Literature

Illustrated in: Y. Brunhammer, Les styles des années 30 à 50, Paris, 1987, p. 6 

J.-P. Bouillon, Art Deco 1903-1940, Geneva, 1989, p. 223

L’Art Déco en Europe, exh. cat., Palais des Beaux Arts, Brussels, 1989, p. 156, no. F22

Jean-Michel Frank, Un décorateur dans le Paris des années 30, exh. cat., Foundation Pierre Bergé-Yves Saint Laurent, Paris, 2009, p. 94

Marianne Haas YSL at home Ed Assouline Paris 2022, p. 82

A Twentieth-Century Apartment, Vogue, August 3,1929, p. 30

L. Verchère, Jean-Michel Frank, Assouline Paris, 2018, p. 220

Jean-Michel Frank, Pierre-Emmanuel Martin-Vivier, Un décorateur dans le Paris des années 30 Ed. Norma 2009 p. 129

 

The oak variation illustrated in: 

R. Lannes, L’exégèse poétique de Jean-Michel Frank, Art et Décoration, January 1939, pp. 6 and 7

Parchment variation illustrated in: L. D. Sanchez, Jean-Michel Frank. Adolphe Chanaux, Paris, 1980, p. 205

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