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Eugene Printz dining table and chairs
Eugene Printz , Dining Table & 12 Chairs, 1929-30
Eugene Printz , Dining Table & 12 Chairs, 1929-30
Eugene Printz , Dining Table & 12 Chairs, 1929-30
Eugene Printz , Dining Table & 12 Chairs, 1929-30
Eugene Printz , Dining Table & 12 Chairs, 1929-30
Eugene Printz , Dining Table & 12 Chairs, 1929-30
Eugene Printz , Dining Table & 12 Chairs, 1929-30
Eugene Printz , Dining Table & 12 Chairs, 1929-30
Eugene Printz , Dining Table & 12 Chairs, 1929-30
Eugene Printz , Dining Table & 12 Chairs, 1929-30

Eugene Printz French, 1889-1949

Dining Table & 12 Chairs, 1929-30
Rectangular dining room table in original palm wood veneer; can be extended with two veneered extension leaves. Bronze band treated with the artist’s original oxidation à l’éponge technique.

A series of 12 dining chairs in original palm tree veneer with contemporary upholstery by Métaphores.
Table:
Length: 78.7 in. | Length w. two extensions: 118.1 in.
Width: 49.2 in.
Height: 28.7 in.

Chairs:
Length: 19.5 in.
Depth: 16.5 in.
Height 34.6 in. (88 cm)
Table is one-of-a-kind with bronze band.
chairs are inlaid with the artist’s stamp “E.P.”

Further images

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Eugéne Printz met the newly divorced Princess Marguerite de Wagram in 1929. Like her sister, Princess de la Tour d’Auv ergne, she inherited a substantial fortune through their mother, Berthe...
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Eugéne Printz met the newly divorced Princess Marguerite de Wagram in 1929. Like her sister, Princess de la Tour d’Auvergne, she inherited a substantial fortune through their mother, Berthe de Rothchild. Wishing to redecorate her lavished Hotel Particulier in the heart of Paris, Princess de Wagram hired Eugéne Printz, who jumped at the opportunity, to design the most refined dining room using only the best materials available. The magnificent, palm veneer table and chairs were accompanied by a cabinet with bronze doors and a decorative lacquer panel be Jean Dunand, while a bronze group by Rembrandt Bugatti brought the finishing touch to this luxurious space. The final result was so successful, that it was exhibited at the Parisian Salon des Artistes Décorateurs that same year, where it was widely applauded and helped establish Printz as a leading decorator of the time. Princess de la Tour d’Auvergne was so impressed with his work that she commissioned Printz to decorate her private apartments at the Chateau de Grosbois. The two royal commissions marked a pivotal point in Printz’s career, positioning him as one of the most sought-after Art Deco designers.

 

Shortly after the exhibition of 1929, Eugéne Printz was approached by Madame V and her wealthy industrialist companion, Monsieur R, to redecorate their Hotel Particulier in the 16th arrondissment. The project would go on for two decades. For their sumptuous dining room, Printz recreated Princess de Wagram’s table, modifying it to include a refined bronze band around the edges of the top. This elegant touch made the table we are presenting a one-of-a-kind piece. The artist also slightly modified the base of the credenza and reduced the size of the light suspensions we are also presenting.

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Provenance

Madame V, 16th arrondissement. Paris

Exhibitions

Princess de Wagram’s variation was exhibited at Salon des Artistes Décorateurs, Paris 1929.

Publications

Our model was reproduced in the original preparatory drawing by the artist, Galerie Lefebvre archive.

Princess de Wagram’s variation appears in:

Les Echos D’Art, N°48, July 1929, SAD p. 20.
L’Art Vivant N°105, 1929, p. 374, 490.
Mobilier et Décoration N°2, February 1931, p. 53.
Eugène Printz, Guy Bujon, Éditions du Regard, 1986 p. 135.

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